Clark + The Media Lounge + 65daysofstatic
The Opera House - March 2006
I walked in and
The Miramar Disaster had already heavily chewed through their set. It wasn’t late; it was just gone 8pm, but the night started at 7 and went on ‘till 11. What are we, like 15 years old? Pint 1: The crowd nod their heads in a faux head bang, whilst sipping beers and the band finished. It’s unfair of me to review them on the strength of two songs, so I’ll stop there. Pint 2: Clark, formerly - and probably still is -
Chris Clark, primed his gear and slammed
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buttons, tickled knobs and fannied about with electronic wizardry. He doesn’t use decks he uses Midi equipment. What you get is a loosely held together musical sound that flirts with Drum ‘n’ Bass, Disco handclaps and electro
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eccentricity. The sound teeters on the edge of musical oblivion and, just as it tips towards certain death, a sonic lifeline appears out of nowhere and saves it. Pint 3:
The Media Lounge get out their Ginsu blades and slice visuals and music from DFA 1979, Kylie, The Chippendales, Tatu, Captain America and others into a half-hour of visual sushi. Salty, spicy as wasabi and just as colourful and well presented. Pass the chopsticks I want more. Pints 4 & 5:
65daysoftatic frenetically and voraciously devour their 12-song [!] playlist, from ‘Ghosts’ to their new single‘Radio Protector’. The band are adept at creating a vast instrumental wall of sound. The bricks are heavy but the mortar is tranquil, soulful and morose - in equal measures. Being honest, it gets a bit monotonous. There was a mic onstage but it was like a coccyx or an appendix – possibly a relic of a bygone era as it was only used to say ‘thanks’ to everyone on the tour.